Kurt Cobain, legendary lead singer, guitarist and songwriter of Nirvana, â€œthe flagship band of Generation X,â€ remains an object of reverence and fascination for music fans around the world. His story is told for the first time in KURT COBAIN: MONTAGE OF HECK, a fully authorized feature documentary co-produced by HBO Documentary Films and Universal Pictures International Entertainment Content Group.
Brett Morgen, the OscarÂ®-nominated filmmaker behind such acclaimed documentaries as the HBO presentations â€œCrossfire Hurricane,â€ which celebrated the 50th anniversary of the Rolling Stones, and â€œThe Kid Stays in the Picture,â€ is writer, director and producer of KURT COBAIN: MONTAGE OF HECK. Visual artist Frances Bean Cobain, Cobainâ€™s daughter, is executive producer.
KURT COBAIN: MONTAGE OF HECK explores the indelible record of a life lived on the fine edge between madness and genius, painting a searing and unforgettable portrait of the iconic musician as it mirrors his quicksilver mind. Using Cobainâ€™s own words and images, this intimate look at an elusive and conflicted artist marks the first documentary to be made with the cooperation of his family.
Morgen weaves together moving first-person testimony from Cobainâ€™s mother and sister; his widow, Courtney Love; former girlfriend Tracy Marander; ex-bandmate Krist Novoselic and others with Cobainâ€™s own words, providing an unflinching tribute to a contentious and contradictory talent, who is still revered by millions around the world 20 years after his tragic death.
Given unprecedented access to Cobainâ€™s personal and family archives by the late rockerâ€™s estate, Morgen uncovered a wealth of new material that documents the emotional rollercoaster of his personal life and celebrates his uncompromising creative spirit, including the inspiration for the filmâ€™s title, a circa-1988 â€œsound collageâ€ he titled â€œMontage of Heck.â€ Recorded by Cobain on a four-track cassette recorder, itâ€™s a free-form mash-up of song bites, manipulated radio recordings, elements of demos and disparate sounds created or recorded by Cobain.
Using Cobainâ€™s artwork, photography, journals and family photographs as inspiration, the filmmakers have produced original animation to illustrate important moments in his life. Also featured are dozens of Nirvana songs and performances, as well as previously unheard Cobain originals.
â€œIâ€™m extremely grateful to Courtney Love and Frances Bean Cobain for granting me unfettered access to Kurtâ€™s possessions,â€ says Morgen. â€œThere were over 200 hours of unreleased music and audio, a vast array of art projects, countless hours of home movies and over 4,000 pages of writings, which together provided a new perspective on an influential and prolific artist who rarely revealed himself to the media.â€
In 1991, Seattle-based rockers Nirvana released their breakout hit, â€œSmells Like Teen Spirit,â€ taking the music world by storm with a sound that came to represent the youth of the decade. Kurt Cobain became one of the dominant voices of the era, producing songs that were an unlikely combination of nihilism and jubilation. In April 1994, Nirvana fans around the world were devastated by the news of Cobainâ€™s suicide at age 27.
Eight years in the making, KURT COBAIN: MONTAGE OF HECK chronicles the life of the legendary musician through a lifetimeâ€™s worth of work. As a child in rural Aberdeen, Wash., Cobain was clearly gifted, as well as hypersensitive, hyperactive and relentlessly perfectionistic. With seemingly boundless creative drive, he began writing, drawing and making music at an early age.
Idealized by his mother and belittled by his father, Cobain discovered punk rock as a troubled teen. â€œA friend of mine… made me a couple of compilation tapes,â€ he remembers in an audiotaped interview. â€œI was completely blown away. They expressed the way I felt socially and politically. It was the anger that I felt, the alienation. And I realized that this is what Iâ€™ve always wanted to do.â€
Cobain dropped out of high school shortly before graduation and worked as a janitor while trying to find an outlet for his artistic energy and emotional turmoil. â€œHe was searching for whatever made him feel like he wasnâ€™t alone and that he wasnâ€™t so different,â€ remembers his sister, Kim Cobain.
By the time Cobain, bass player Krist Novoselic and drummer Dave Grohl were leading the northwest rock circuit, the seeds of his destruction had already taken root. Long prone to depression, Cobain began experimenting with heroin and was soon addicted. As his fame grew, so did his appetite for drugs and his self-destructive behavior.
â€œItâ€™s a superficial label to put on a band that theyâ€™re going to become the next big thing without us really wanting to do it,â€ Cobain told a reporter at the time. â€œWeâ€™re prepared to destroy our careers if that happens.â€
Cobainâ€™s marriage to controversial fellow musician Courtney Love followed. Coming from a broken home and blended family, Cobainâ€™s lifelong dream was to create the family he felt he missed out on throughout his difficult childhood. The pair made an attempt at domesticity after the birth of their only child, Frances Bean, but drama followed them everywhere they went.
Throughout his life, Cobain continued creating almost compulsively, producing work both poetic and disturbing, often manifestations of his violent dreams and fantasies. He was, in his motherâ€™s words, on a collision course with the world.
â€œYou see his art,â€ says Novoselic. â€œA lot of those messages are as plain as day.â€
Finally, tormented by his addiction, his inexplicable but excruciating physical ailments and his own unquiet mind, Cobain was unable to escape the troubles that had haunted him since childhood, and took his own life.
KURT COBAIN: MONTAGE OF HECK had its world premiere at the 2015 Sundance Film Festival.
HBO Documentary Films and Universal Pictures International Entertainment Content Group in association with Public Road productions and The End of Music present KURT COBAIN: MONTAGE OF HECK. A film by Brett Morgen. Written and directed by Brett Morgen; produced by Brett Morgen and Danielle Renfrew Behrens; executive produced by Frances Bean Cobain, Larry Mestel, David Byrnes; co-executive producer, Dave Morrison; edited by Joe Beshenkovsky and Brett Morgen; sound design by Cameron Frankley and Kurt Cobain. For HBO: senior producer, Sara Bernstein; executive producer, Sheila Nevins.
From the looks of the Kurt Cobain story, his life and death my own personal opinion of this is I’m totally not in agreement of suicide. This man did not take his life. His drug use is used as an excuse to make it look like it was s suicide. I strongly believe this musician was murdered, this looks like it was plotted by some people he would never expect and people around him and associated with him. Someone he was very familiar with him. He was setup and taken by surprise by his attacker along with a prepared suicide note placed at the death scene or whomever was waiting for him forced him to write the note that day, gave him the drug injection then shot him placing the shotgun in his hand making it appear suicidal. People were paid off so this was a hit. Someone behind this was a wicked untrustworthy savage. Whoever this is that was behind the death of this late musician that wanted him dead obviously he trusted this person, but he really didn’t know them like he thought he did. May this person’s mind be confused, you will no longer have peace and what goes around shall following you. You know you’re responsible for this so called made it look like suicide but really a murder in cold blood by masterminded killer.
I’m not dead. God brought me back to life! Kurtkurdt.bandcamp.com. SoundCloud.com/nirvanawarnerbrothersindependentwebsite